The sensational new novel from the highly-acclaimed author of Dreamland: a once-in-a-lifetime love story. It is Elle’s job to manage disasters. But lately things have started to spin out of control. At work, the latest catastrophe has been live-streamed to the nation. A shock election sees an extreme-right coalition storm to power.

Then, on a night so hot it feels like London’s pavements are melting, she meets Ed. Elle and Ed are not meant to be drawn to each other. Elle has only ever been attracted to women, and Ed, billed as ‘the great gay novelist of our times’, is about to release his first book. But something inexplicable sparks between them. Can the unexpected attraction they feel last when it presents such a profound challenge to their identity? And as the country fractures and the heat rises, how will they choose between the people they’ve known themselves to be – and the people they are willing to become

Both an unforgettable love story and a state-of-the-nation thriller, My Only Boy asks universal questions about desire, complicity, and what happens when your sense of self collapses along with the world around you. Praise for Dreamland 

‘A beautiful book: thought-provoking, eerily prescient and very witty.’ Brit Bennett, author of The Vanishing Half

'Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there’s also the novel’s prose – its liquid grace and glinting sparkle – and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.'- Observer

'She vividly captures the balance between ferocity and vulnerability as the two girls explore their burgeoning desire; one minute they’re greedy for each other, the next they’re proceeding more gingerly. Theirs is a great first love, blazing bright and furious amid the poverty and the pain, the perfect counterweight that’s needed to make the novel sing. Dreamland brings us face-to-face with much of what we’re on the threshold of losing; nevertheless, it manages to convince us that its characters have everything still to live for.'  -Guardian